Descripción de Prelude in G minor (Op 5, no 1) - Agustin Barrios:
I know I'm using extreme amounts of rubato (it's meant to be an homage to Bach and except for the note/chord at the end of each section, it's written as straight semi-quavers with no tempo markings), but I just "feel it" this way. I suppose I could also argue that if a performer can pull around the dynamics (there are just two dynamic markings in my copy of this piece), why not the tempo too?
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